A Distinção Gráfico-Linguístico e a Notação Musical

Imprimir página
Ver imagens em tamanho grande

Fabrício Pires Fortes, “A Distinção Gráfico-Linguístico e a Notação Musical,” Revista Portuguesa de Filosofia 74, no. 4 (2018): 1465–92, https://doi.org/10.17990/RPF/2018_74_4_1465.

Mais detalhes

Mais informações

A Distinção Gráfico-Linguístico e a Notação Musical

Type	Journal Article
Author	Fabrício Pires Fortes
Rights	© 2018 Aletheia - Associação Científica e Cultural \| © 2018 Revista Portuguesa de Filosofia
Volume	74
Issue	4
Pages	1465-1492
Publication	Revista Portuguesa de Filosofia
ISSN	0870-5283
Date	2018
DOI	10.17990/RPF/2018_74_4_1465
Language	Portuguese
Abstract	This paper examines the traditional musical notation from the viewpoint of the general problem concerning the types of visual representations. More specifically, we analyze this system in relation to the distinction between graphical and linguistic representations. We start by comparing this notation with the representational systems which are most commonly associated with such categories: on the one hand, pictorial representations as an example of a graphical representation; on the other hand, verbal writing usually associated with a linguistic representation. Then, we examine the traditional musical notation in relation to different ways of drawing the distinction graphic–linguistic, and we evaluate the applicability of such criteria to the former system. Finally, we present some general remarks about the legitimacy of this distinction both with respect to representational systems in general and to the specific case of the traditional musical notation.
Date Added	23/01/2019, 18:45:38
Modified	24/01/2019, 11:27:10

Notes:

Bertin, Jacques. Semiology of Graphics: diagrams, networks, maps. Madison: University of Wisconsin Press, 1973.
Caznok, Yara B. Música: entre o audível e o visível. São Paulo: UNESP; Rio de Janeiro: FUNARTE, 2008.
Cross, Lucy G. ‘Ars Subtilior’. In A Performer’s Guide to Medieval Music, editado por Ross W. Duffin, 228-234. Bloomington: Indiana University Press, 2000.
Dannenberg, Roger B. ‘Music Representation Issues, Techniques and Systems’. In Computer Music Journal 17, no. 3 (1993): 20-30, doi: 10.2307/3680940.
Fortes, Fabrício P. Representação e Pensamento Musical. Tese de Doutorado. Universidade Federal da Bahia, 2014.
Fortes, Fabrício P. ‘Representação Estrutural da Música Tonal’. Notae Philosophicae Scientiae Formalis 3, no. 1 (2014): 8-22, url: http://gcfcf.com.br/pt/revistas/npsf-vol-3-n-1/.
García Fernández, Isaac D. ‘El Grafismo Musical en la Frontera de los Lenguajes Artísticos’. Sinfonía Virtual 5 (2007), url: http://bit.ly/2COZEZo.
Goodman, Nelson. Languages of Art: an approach to a theory of symbols. Indianapolis: Bobbs-Merrill, 1968.
Larkin, Jill H. e Simon, Herbert A. ‘Why a Diagram is (Sometimes) Worth than Thousand Words’. In Diagrammatic Reasoning: cognitive and computational perspectives, editado por Janice Glasgow, Hari Narayanan e Balakrishnan Chandrasekaran, 69-109. Menlo Park: AAAI Press, 1987. doi: 10.1111/j.1551-6708.1987.tb00863.x.
Palmer, Stephen E. ‘Fundamental Aspects of Cognitive Representations’. In Cognition and Categorization, editado por Eleanor Rosch e Barbara Lloyd. Hillsdale: Lawrence Erlbaum Associates, 1978.
Russell, Bertrand. ‘Vagueness’. In The Collected Papers of Bertrand Russell, 9, editado por John G. Slater, 147-154. London/Boston: Unwin Hyman, 1988.
Shimojima, Atsushi. ‘The Graphic-Linguistic Distinction: exploring alternatives’. Artificial Intelligence Review 15 (2001): 5-27, doi: 10.1007/978-94-017-3524-7_2.
Stenning, Keith e Inder, Robert. ‘Applying Semantic Concepts to Analyzing Media and Modalities’. In Diagrammatic Reasoning: cognitive and computational perspectives, editado por Janice Glasgow, Hari Narayanan e Balakrishnan Chandrasekaran, 303-338. Menlo Park: AAAI Press, 1987.
Stenning, Keith e Oberlander, Jon. ‘A Cognitive Theory of Graphical and Linguistic Reasoning: logic and implementation’. Cognitive Science 19 (1995): 97-140. doi: 10.1016/0364-0213(95)90005-5.
Zampronha, Edson S. Notação, Representação e Composição: um novo paradigma da escritura musical. São Paulo: UNESP/Annablume, 2000.