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Wittgenstein e o Realismo Religioso de Beethoven

Wittgenstein e o Realismo Religioso de Beethoven

Nuno Venturinha, “Wittgenstein e o Realismo Religioso de Beethoven,” Revista Portuguesa de Filosofia 74, no. 4 (2018): 1203–12, https://doi.org/10.17990/RPF/2018_74_4_1203.

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Wittgenstein e o Realismo Religioso de Beethoven

Type Journal Article
Author Nuno Venturinha
Rights © 2018 Aletheia - Associação Científica e Cultural | © 2018 Revista Portuguesa de Filosofia
Volume 74
Issue 4
Pages 1203-1212
Publication Revista Portuguesa de Filosofia
ISSN 0870-5283
Date 2018
DOI 10.17990/RPF/2018_74_4_1203
Language Portuguese
Abstract This paper explores Wittgenstein’s lifelong interest in music. The first part offers an overview of the various authors mentioned throughout Wittgenstein’s corpus, particularly in the posthumous publications Culture and Value and Movements of Thought. The second part specifically examines some of Wittgenstein’s remarks on Beethoven focusing on the peculiar religious realism that Wittgenstein attributes to Beethoven’s work. Recent interpretations put forward by Matthew Lau and Béla Szabados are discussed. It is argued that these commentators fail to address the religious basis of Wittgenstein’s admiration for Beethoven.
Date Added 23/01/2019, 18:45:20
Modified 23/01/2019, 19:42:36

Tags:

  • Wittgenstein
  • religion,
  • music,
  • Beethoven,
  • realism,

Notes:

  • Biesenbach, Hans. Anspielungen und Zitate im Werk Ludwig Wittgensteins, ed. rev. Sofia: Sofia University Press, 2014.
    Cowan, Robert. “Reich and Wittgenstein: Notes towards a Synthesis.” Tempo 157 (1986): 2-7. doi:10.1017/S0040298200022270.
    Hick, John. Disputed Questions in Theology and the Philosophy of Religion. Basingstoke: The Macmillan Press, 1993.
    Janik, Allan, e Stephen Toulmin. Wittgenstein’s Vienna. New York: Simon and Schuster, 1973.
    Lau, Matthew. “Problems He Never Gets Anywhere Near: Wittgenstein’s Reading of Beethoven as a View of His Later Philosophy.” Comparative Literature 66, no. 1 (2014): 52-70. doi:10.1215/00104124-2414932.
    Szabados, Béla. Wittgenstein as Philosophical Tone-Poet: Philosophy and Music in Dialogue. Amsterdam: Rodopi, 2014.
    Venturinha, Nuno. “Recensão de Ludwig Wittgenstein, Denkbewegungen: Tagebücher 1930-1932/ 1936-1937.” Cadernos de Filosofia 12 (2002): 81-90.
    Venturinha, Nuno. “Recensão de Ludwig Wittgenstein e Rudolf Koder, Wittgenstein und die Musik: Briefwechsel.” Cadernos de Filosofia 13 (2003): 97-103.
    Wittgenstein, Ludwig. Bemerkungen über die Philosophie der Psychologie / Remarks on the Philosophy of Psychology, vol. I, ed. G. E. M. Anscombe e G. H. von Wright. Oxford: Basil Blackwell, 1980. 
    Wittgenstein, Ludwig. Vermischte Bemerkungen: Eine Auswahl aus dem Nachlaß, ed. G. H. von Wright em colaboração com Heikki Nyman, rev. Alois Pichler. Frankfurt: Surhkamp, 1994.
    Wittgenstein, Ludwig. Denkbewegungen: Tagebücher 1930-1932/ 1936-1937, ed. Ilse Somavilla. Innsbruck: Haymon, 1997.
    Wittgenstein, Ludwig, e Rudolf Koder. Wittgenstein und die Musik: Briefwechsel, ed. Martin Alber, em colaboração com Brian McGuinness e Monika Seekircher. Innsbruck: Haymon, 2000. 
    Wittgenstein, Ludwig. Philosophische Untersuchungen, ed. Joachim Schulte. Frankfurt: Suhrkamp, 2003.
    Wittgenstein, Ludwig. The Big Typescript: TS 213, ed. C. G. Luckhardt e M. A. E. Aue. Oxford: Blackwell, 2005.
    Wittgenstein, Ludwig. Wittgenstein in Cambridge: Letters and Documents 1911-1951, ed. Brian McGuinness. Oxford: Blackwell, 2008. 
    Worth, Sarah E. “Wittgenstein’s Musical Understanding.” The British Journal of Aesthetics 37, no. 2 (1997): 158-167. doi:10.1093/bjaesthetics/37.2.158.

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