|Rights||© 2018 Aletheia - Associação Científica e Cultural | © 2018 Revista Portuguesa de Filosofia|
|Publication||Revista Portuguesa de Filosofia|
|Abstract||Music’s original philosophical problem is ontological: what is it? In this paper, I argue that music has a better philosophical beginning; philosophical accounts of music should begin as philosophical accounts of listening to music. What distinguishes listening to music from hearing sound? My aim is to give a philosophical account of music by means of a description of a particular kind of interactive relationship we sometimes have to sound. Music, I shall argue, is not distinguished from sound because it has a special metaphysical status or because of the psychological reactions it produces in us; musical sound is distinctive because we listen to it in a certain way. I explore some of the ontological implications of my account, both for music broadly speaking and for the ontology of musical works.|
|Date Added||23/01/2019, 18:45:31|
Budd, Malcolm. Aesthetic Essays. Oxford: Oxford University Press, 2008.
Budd, Malcolm. “Meaning, Emotion and Information in Music.” In Music and the Emotions : The Philosophical Theories. International Library of Philosophy. London: Routledge & Kegan Paul, 1992.
Cameron, Ross P. “There Are No Things That Are Musical Works.” The British Journal of Aesthetics 48, no. 3 (July, 2008): 295-314. doi:10.1093/aesthj/ayn022.
Cooke, Deryck. The Language of Music. London: Oxford University Press, 1959.
Cox, Renée. “A Defence of Musical Idealism.” The British Journal of Aesthetics 26, no. 2 (February, 1986): 133-42. doi:10.1093/bjaesthetics/26.2.133.
Davies, David. Art as Performance, Malden: Blackwell. 2004.
Davies, Stephen. “Musical Understandings.” In Musical Understandings : And Other Essays on the Philosophy of Music. Oxford: Oxford University Press, 2011.
Geach, P. T. Mental Acts: Their Content and Their Objects. Studies in Philosophical Psychology. London: Routledge & Paul, 1957.
Hamilton, Andy. Aesthetics and Music. Bloomsbury Aesthetics. London: Continuum, 2007.
Huovinen, Erkki. “Understanding Music.” in The Routledge Companion to Philosophy and Music. edited by Theodore Gracyk and Andrew Kania. Routledge Philosophy Companions. Abingdon, Oxon: Routledge, 2011. 123-133.
Johnson, K. E., & C. B. Mervis, “Effects of varying levels of expertise on the basic level of categorization.” Journal of Experimental Psychology: General, 126, no. 3. (1997). 248-277. http://dx.doi.org/10.1037/0096-34126.96.36.199.
Levinson, Jerrold. Music, Art, and Metaphysics : Essays in Philosophical Aesthetics. [New Ed.]. ed. Oxford: Oxford University Press, 2011.
Levinson, Jerrold. Music in the Moment. Cornell Paperbacks. Ithaca, N.Y.: Cornell University Press, 1997.
Levinson, Jerrold. “Performative vs. Critical Interpretation in Music.” In The Interpretation of Music : Philosophical Essays. edited by Michael Krausz. Oxford: Clarendon Press, 1993. 60-89.
Kivy, Peter. Music Alone : Philosophical Reflections on the Purely Musical Experience. Ithaca: Cornell University Press, 1990.
Kivy, Peter. 2001, “Music in Memory and Music in the Moment.” in New Essays on Musical Understanding, Oxford: Oxford University Press. 183–217.
Kivy, Peter. “Platonism in Music: Another Kind of Defense.” American Philosophical Quarterly 24, no. 3 (July, 1987), 245-52. https://www-jstor-org.ccl.idm.oclc.org/stable/20014199.
Mohr, Georg. “On the Very Idea of Understanding Music.” In Aesthetics Today. Contemporary Approaches to the Aesthetics of Nature and of Arts. edited by Stefan Majetschak, Anja Weiberg. Walter de Gruyter. Germany. 2017. 127-137.
Rohrbaugh, Guy. “Artworks As Historical Individuals.” European Journal of Philosophy 11, no. 2. (July, 2003), 177-205. doi:10.1111/1468-0378.00182.
Scruton, Roger. The Aesthetics of Music. Oxford: Oxford University Press, 1997.
Tanaka, James W, and Marjorie Taylor. “Object Categories and Expertise: Is the Basic Level in the Eye of the Beholder?” Cognitive Psychology 23, no. 3 (1991): 457-82. https://doi.org/10.1016/0010-0285(76)90013-X.
Zangwill Nick. “Music, Metaphor, and Aesthetic Concepts.” The Journal of Aesthetics and Art Criticism 72, no. 1. (February, 2014), 1-11. https://doi.org.ccl.idm.oclc.org/10.1111/jaac.12042.
Total 0,00 €