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Filosofia da MúsicaOrganizador: Yolanda Espiña2018, Volume 74, Fasc. 4DOI 10.17990/RPF/2018_74_4_0000
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Yolanda Espiña, “Presentation – Philosophy of Music,” Revista Portuguesa de Filosofia 74, no. 4 (2018): 911–16, https://doi.org/10.17990/RPF/2018_74_4_0911.
Jessica Wiskus, “On Song, Logos, and the Movement of the Soul: After Plato and Aristotle,” Revista Portuguesa de Filosofia 74, no. 4 (2018): 917–34, https://doi.org/10.17990/RPF/2018_74_4_0917.
Mário Santiago de Carvalho, “Música e Singularização. Uma Reflexão Prodromal sobre o Problema da Escuta em Música,” Revista Portuguesa de Filosofia 74, no. 4 (2018): 935–56, https://doi.org/10.17990/RPF/2018_74_4_0935.
Pier Alberto Porceddu Cilione, “La Potenza della Musica: La Questione della Dynamis tra Musica e Filosofia,” Revista Portuguesa de Filosofia 74, no. 4 (2018): 957–82, https://doi.org/10.17990/RPF/2018_74_4_0957.
Clovis Salgado Gontijo, “A Imaterialidade do Inefável: Traços Imponderáveis da Percepção Auditiva e da Experiência Musical em Vladimir Jankélévitch,” Revista Portuguesa de Filosofia 74, no. 4 (2018): 983–1012, https://doi.org/10.17990/RPF/2018_74_4_0983.
Lia Tomás and Rodrigo Lopes, “Abbé Dubos e a Reflexão Crítica sobre o Conceito de Imitação em Música,” Revista Portuguesa de Filosofia 74, no. 4 (2018): 1013–42, https://doi.org/10.17990/RPF/2018_74_4_1013.
Eduardo Augusto G. Gatto, “Considerações a Respeito de Música a partir do Pensamento de Heidegger,” Revista Portuguesa de Filosofia 74, no. 4 (2018): 1043–76, https://doi.org/10.17990/RPF/2018_74_4_1043.
Stefano Oliva, “Risonanze della Teoria della Formatività di Luigi Pareyson nell’Estetica Musicale Contemporanea,” Revista Portuguesa de Filosofia 74, no. 4 (2018): 1077–92, https://doi.org/10.17990/RPF/2018_74_4_1077.
Rhonda Siu, “Expression and Silence: Music and Language in Merleau-Ponty’s Existential Phenomenology,” Revista Portuguesa de Filosofia 74, no. 4 (2018): 1093–1116, https://doi.org/10.17990/RPF/2018_74_4_1093.
José Manuel Beato, “A Escuta do Irreversível: Filosofia e Música em Vladimir Jankélévitch,” Revista Portuguesa de Filosofia 74, no. 4 (2018): 1117–48, https://doi.org/10.17990/RPF/2018_74_4_1117.
Jaime Llorente Cardo, “La Invisibilidad Sonora: Sobre la Narración del Pathos Vital en las Fenomenologías de la Música de Michel Henry y Jean-Luc Marion,” Revista Portuguesa de Filosofia 74, no. 4 (2018): 1149–84, https://doi.org/10.17990/RPF/2018_74_4_1149.
Ana Rosa Luz, “O Caos como Devir na Experiência Filosófico-musical em Deleuze e Guattari,” Revista Portuguesa de Filosofia 74, no. 4 (2018): 1185–1202, https://doi.org/10.17990/RPF/2018_74_4_1185.
Nuno Venturinha, “Wittgenstein e o Realismo Religioso de Beethoven,” Revista Portuguesa de Filosofia 74, no. 4 (2018): 1203–12, https://doi.org/10.17990/RPF/2018_74_4_1203.
Juan José Pastor Comín, “Eugenio Trías al Encuentro de Anton Bruckner: Lecturas Fronterizas de la Misa en mi menor (WAB 27),” Revista Portuguesa de Filosofia 74, no. 4 (2018): 1213–54, https://doi.org/10.17990/RPF/2018_74_4_1213.
James O. Young, “Empiricism and the Ontology of Jazz,” Revista Portuguesa de Filosofia 74, no. 4 (2018): 1255–66, https://doi.org/10.17990/RPF/2018_74_4_1255.
Nemesio García-Carril Puy, “Musical Minimalism and the Metaphysics of Time,” Revista Portuguesa de Filosofia 74, no. 4 (2018): 1267–1306, https://doi.org/10.17990/RPF/2018_74_4_1267.
John Shand, “Ideas in Music,” Revista Portuguesa de Filosofia 74, no. 4 (2018): 1307–28, https://doi.org/10.17990/RPF/2018_74_4_1307.
Sixto J. Castro, “El Elemento Afectivo en la Música,” Revista Portuguesa de Filosofia 74, no. 4 (2018): 1329–54, https://doi.org/10.17990/RPF/2018_74_4_1329.
Elzė Sigutė Mikalonytė, “Why Does Pure Music Not Have Semantic Content?,” Revista Portuguesa de Filosofia 74, no. 4 (2018): 1355–76, https://doi.org/10.17990/RPF/2018_74_4_1355.
Paskalina Bourbon, “Beyond Musical Metaphysics: A Philosophical Account of Listening to Music,” Revista Portuguesa de Filosofia 74, no. 4 (2018): 1377–98, https://doi.org/10.17990/RPF/2018_74_4_1377.
J Tyler Friedman, “On Narrativity and Narrative Flavor in Jazz Improvisation,” Revista Portuguesa de Filosofia 74, no. 4 (2018): 1399–1424, https://doi.org/10.17990/RPF/2018_74_4_1399.
Magda Polo Pujadas, “Philosophy of Music: Wittgenstein and Cardew,” Revista Portuguesa de Filosofia 74, no. 4 (2018): 1425–36, https://doi.org/10.17990/RPF/2018_74_4_1425.
Caleb Faul, “Voyagers in Sound: On the Smooth and the Striated in Musical Interpretation and Performance,” Revista Portuguesa de Filosofia 74, no. 4 (2018): 1437–64, https://doi.org/10.17990/RPF/2018_74_4_1437.
Fabrício Pires Fortes, “A Distinção Gráfico-Linguístico e a Notação Musical,” Revista Portuguesa de Filosofia 74, no. 4 (2018): 1465–92, https://doi.org/10.17990/RPF/2018_74_4_1465.
Costis Zouliatis, “Jani Christou and the Philosophy of Meta-Music,” Revista Portuguesa de Filosofia 74, no. 4 (2018): 1493–1506, https://doi.org/10.17990/RPF/2018_74_4_1493.
Carlos José Lopes Balsas, “The Music World in Phoenix: Insights from a Cultural Planning Study Where the Lights Are Darkest and the Sounds Mute!,” Revista Portuguesa de Filosofia 74, no. 4 (2018): 1507–26, https://doi.org/10.17990/RPF/2018_74_4_1507.
Enrico Fubini, “Esecuzione e interpretazione: la vita dell’opera musicale attraverso il tempo,” Revista Portuguesa de Filosofia 74, no. 4 (2018): 1527–34, https://doi.org/10.17990/RPF/2018_74_4_1527.
Dimitar Ginev, “Ensembles Practices and Cultural Forms of Life,” Revista Portuguesa de Filosofia 74, no. 4 (2018): 1537–62, https://doi.org/10.17990/RPF/2018_74_4_1537.
Cristiane Pieterzack, “Book Review - Por uma Sensibilidade além da Essência: Lévinas interpela Platão,” Revista Portuguesa de Filosofia 74, no. 4 (2018): 1565–70, https://doi.org/10.17990/RPF/2018_74_4_1565.
Ricardo Barroso Batista, “Book Review - Thomas Aquinas and his Predecessors: the Philosophers and the Church Fathers in his Work,” Revista Portuguesa de Filosofia 74, no. 4 (2018): 1571–74, https://doi.org/10.17990/RPF/2018_74_4_1571.
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