Categorias

Apostolado da Oração

Pesquisa

Empiricism and the Ontology of Jazz

Empiricism and the Ontology of Jazz

James O. Young, “Empiricism and the Ontology of Jazz,” Revista Portuguesa de Filosofia 74, no. 4 (2018): 1255–66, https://doi.org/10.17990/RPF/2018_74_4_1255.

Mais detalhes

À venda À venda!
10,00 €

137441255

Disponível apenas on-line

Empiricism and the Ontology of Jazz

Type Journal Article
Author James O. Young
Rights © 2018 Aletheia - Associação Científica e Cultural | © 2018 Revista Portuguesa de Filosofia
Volume 74
Issue 4
Pages 1255-1266
Publication Revista Portuguesa de Filosofia
ISSN 0870-5283
Date 2018
DOI 10.17990/RPF/2018_74_4_1255
Language English
Abstract This essay argues that there is no alethic basis for adopting one ontology of jazz music rather than another. Any ontology of jazz that is consistent with the available empirical evidence may be adopted, though pragmatic reasons may exist for favouring one ontology of jazz over another. There are empirical differences between jazz and much of classical music, but one may adopt the same ontology for jazz that one adopts for works classical music.
Date Added 23/01/2019, 18:45:24
Modified 23/01/2019, 19:50:07

Tags:

  • ontology,
  • empiricism,
  • jazz,
  • philosophy of music

Notes:

  • Berkeley, George. Principles of Human Knowledge and Three Dialogues. Oxford: Oxford University Press, 1996.
    Carnap Rudolf. ‘Empiricism, Semantics and Ontology’, Revue internationale de philosophie 11, no. 4, (1950), 20–40. 
    Davies, Stephen. Musical Works and Performances. Oxford: Oxford University Press, 2001.
    Dodd, Julian. Works of Music. Oxford: Oxford University Press, 2007.
    Dodd, Julian. ‘Upholding Standards: A Realist Ontology of Standard Form Jazz’, Journal of Aesthetics and Art Criticism 72, no. 3 (2014), 277–90.
    Kania, Andrew. ‘The Methodology of Musical Ontology: Descriptivism and its Implications,’ British Journal of Aesthetics 48, no. 4 (2008), 426–444. 
    Kania, Andrew. ‘All Play and No Work: An Ontology of Jazz’, Journal of Aesthetics and Art Criticism 69, no. 4 (2011), 391–403.
    Kania, Andrew. ‘In Defence of Higher-Order Musical Ontology: A Reply to Lee B. Brown,’ British Journal of Aesthetics 52, no. 1(2012), 97–102.
    Kivy, Peter, The Fine Art of Repetition. Cambridge: Cambridge University Press, 1993.
    Quine, W.V.O. From a Logical Point of View, second edition, revised, Cambridge, Mass.: Harvard University Press, 1980.
    Quine, W.V.O. Word and Object, Cambridge, Mass.: MIT Press, 1960. 
    Quine, W.V.O. Ontological Relativity and Other Essays. New York: Columbia University Press, 1969.
    Young, James O. and Carl Matheson, ‘The Metaphysics of Jazz’, Journal of Aesthetics and Art Criticism 58, no. 2 (2000), 125–33. 
    Young, James O. ‘The Ontology of Musical Works: A Philosophical Pseudo-Problem’, Frontiers of Philosophy in China 6, no. 2 (2011), 284–97.

Carrinho  

Sem produtos

Envio 0,00 €
Total 0,00 €

Carrinho Encomendar

PayPal

Pesquisa