Ana Rosa Luz, “O Caos como Devir na Experiência Filosófico-musical em Deleuze e Guattari,” Revista Portuguesa de Filosofia 74, no. 4 (2018): 1185–1202, https://doi.org/10.17990/RPF/2018_74_4_1185.
| Type | Journal Article |
|---|---|
| Author | Ana Rosa Luz |
| Rights | © 2018 Aletheia - Associação Científica e Cultural | © 2018 Revista Portuguesa de Filosofia |
| Volume | 74 |
| Issue | 4 |
| Pages | 1185-1202 |
| Publication | Revista Portuguesa de Filosofia |
| ISSN | 0870-5283 |
| Date | 2018 |
| DOI | 10.17990/RPF/2018_74_4_1185 |
| Language | Portuguese |
| Abstract | In their works, Gilles Deleuze and Félix Guattari urge us to think, even if indirectly, in what way the theoretical-philosophical development could be applied to the composition and the exercise of musical listening. Thus, with a view to enhancing this association between music and philosophy, in this text we will try to define the greatest philosophical-musical concept created by both philosophers. Namely, the ritornello. So that through its chaotic, terrestrial and cosmic seams and textures, the notion of musical-existential devenir is built up. Notion, where the musical argument will reveal itself irrevocably presiding of a founding chaos or, as Deleuze appoints, a germ chaos. |
| Date Added | 23/01/2019, 18:45:19 |
| Modified | 23/01/2019, 19:40:49 |
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