If Physics Be the Framework of Music, Play On

If Physics Be the Framework of Music, Play On

Tags:

• complexity,
• dualities,
• information theory,
• ontology,
• philosophy of music,
• physics

Notes:

• Aderhold, Werner, ed. Franz Schubert: Deutsch-Verzeichnis – Studienausgabe. Kassel: Bärenreiter, 2012.
  Baines, Anthony. Woodwind Instruments and Their History. New York: Dover, 1991.
  Bohm, David. “A Suggested Interpretation of the Quantum Theory in Terms of ‘Hidden Variables’ I.” Physical Review 85, no. 2 (1952): 166-179. doi:10.1103/PhysRev.85.166.
  Bohm, David. “A Suggested Interpretation of the Quantum Theory in Terms of ‘Hidden Variables’ II.” Physical Review 85 no. 2 (1952): 180-193. doi:10.1103/PhysRev.85.180.
  Cover, Thomas M. and Joy A. Thomas. Elements of Information Theory (2nd ed.). Hoboken, NJ: John Wiley & Sons, Inc., 2006.
  Dineley, Sean. Covers Uncovered: A History of the “Cover Version,” from Bing Crosby to Flaming Lips (2014). Accessed October 29, 2019, https://ir.lib.uwo.ca/cgi/viewcontent.cgi?article=3630&context=etd.
  Einstein, A., B. Podolsky, and N. Rosen. “Can Quantum-Mechanical Description of Physical Reality Be Considered Complete?” Physical Review 47 (1935): 777-780. doi: 10.1103/PhysRev.47.777
  Griffiths, David J., and Darrell F. Schroeter. Introduction to Quantum Mechanics (3rd ed.). Cambridge: Cambridge University Press, 2018. doi:1 0.1017/9781316995433.
  Haynes, Bruce. A History of Performing Pitch. Oxford: Scarecrow Press, 2002.
  Hook, Chris. “The ‘A Hard Day’s Night’ Chord – Rock’s Holy Grail.” everything2. (May 2, 2005). Accessed October 29, 2019, https://everything2.com/title/The%2520%2522A%2520Hard%2520Day%2527s%2520Night%2522%2520Chord%2520-%2520Rock%2527s%2520Holy%2520Grail.
  Jaynes, E. T. “Information Theory and Statistical Mechanics.” Physical Review 106 no. 4 (1957): 620-630. doi:10.1103/PhysRev.108.171.
  Jaynes, E. T. “Information and Statistical Mechanics. II.” Physical Review 108 no. 2 (1957): 171-190. doi:10.1103/PhysRev.106.620.
  Kania, Andrew. “The Philosophy of Music.” In The Stanford Encyclopedia of Philosophy (Fall 2017 Edition), ed. Zalta, Edward N. Metaphysics Research Lab, Stanford University. Accessed October 29, 2019, https://plato.stanford.edu/archives/fall2017/entries/music/.
  Kramers, H. A., and G. H. Wannie.. “Statistics of the two-dimensional ferromagnet.” Physical Review 60 (1941): 252-262. doi:10.1103/PhysRev.60.252.
  Li, Ming, and Paul Vitanyi. An Introduction to Kolmogorov Complexity and Its Applications. New York: Springer-Verlag, 1997. doi:10.1007/978-1-4757-2606-0.
  Müller, Ulrich. “Regietheater/Director’s Theater.” In The Oxford Handbook of Opera (April 2015), ed. Greenwald, Helen M. Accessed October 29, 2019, https://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780195335538.001.0001/oxfordhb-9780195335538-e-026.
  McFerrin, Bobby. Bobby McFerrin Demonstrates the Power of the Pentatonic Scale. Performed by Bobby McFerrin, New York, June 12. 2009. Accessed on October 29, 2019, https://www.youtube.com/watch?v=ne6tB2KiZuk.
  McQuarrie, Donald A. Statistical Mechanics. Sausalito, CA: University Science Books, 2000.
  Montonen, C., and D. Olive. “Magnetic Monopoles as Gauge Particles?” Physics Letters B 72, no. 1 (1977): 117-120. doi:10.1016/0370-2693(77)90076-4.
  O’Bannon, Ricky. The 2014-15 Orchestra Season by the Numbers. Baltimore Symphony Orchestra. Accessed October 29, 2019, https://www.bsomusic.org/stories/the-2014-15-orchestra-season-by-the-numbers.aspx.
  O’Bannon, Ricky. The Data Behind the 2016-2017 Orchestra Season. Baltimore Symphony Orchestra, October 31, 2016. Accessed October 29, 2019, https://www.bsomusic.org/stories/the-data-behind-the-2016-2017-orchestra-season/.
  Polyakov, A. M. “Particle Spectrum in the Quantum Field Theory.” JETP Letters 20, no. 6 (1974): 194-195.
  Popper, Karl. Conjectures and Refutations: The Growth of Scientific Knowledge. New York: Routledge Classics, 2002.
  Randel, Don Michael. Harvard Dictionary of Music. Cambridge, MA: The Belknap Press of Harvard University Press, 2003.
  Reich, Steve. Four Organs. New York: Universal Edition/Boosey and Hawkes, 1970.
  Riley, Terry. In C. New York: G. Schirmer/Associated Music Publishers, 1964.
  Ross, Alex. “Forgotten Son.” The New Yorker (December 21 & 28, 2015) 14.
  Rubinstein, Anton. Autobiography of Anton Rubinstein, 1829-1889. Translated by Aline Delano. Boston: Little, Brown, and Company, 1903.
  Schönberg, Arnold. Style and Idea. Edited by Leonard Stein. Translated by Leo. Black. Berkeley: University of California Press, 1975.
  Schonberg, Harold C. “Music: A Concert Fuss: Music by Reich Causes a Vocal Reaction.” The New York Times (January 20, 1973) 36.
  Sen, Ashoke. “Recent developments in superstring theory.” Nuclear Physics B – Proceedings Supplements 94, no. 1-3 (2001): 35-48. doi:10.1016/S0920-5632(01)00929-X.
  Shannon, Claude E. “A mathematical theory of communication.” The Bell System Technical Journal 27, no. 3 (1948): 379-423. doi:10.1002/j.1538-7305.1948.tb01338.x.
  Solomonoff, Ray J. “A Formal Theory of Inductive Inference. Part I.” Information and Control 7, no. 1 (1964): 1-22. doi:10.1016.S0019-9958(64)90223-2.
  Solomonoff, Ray J. “A Formal Theory of Inductive Inference. Part II.” Information and Control 7, no. 2 (1964): 224-254. doi:10.1016.S0019-9958(64)90131-7.
  Spector, Donald. “Musical Scales and Multiplicative Groups.” In Proceedings of Bridges 2018, ed. Torrence, Eve, Bruce Torrence, Carlo Séquin, and Kristóf Fenyvesi, 387-390. Phoenix: Tessellations Publishing, 2018.
  Strickland, Edward. Minimalism: Origins. Bloomington: Indiana University Press, 1993.
  ‘t Hooft, Gerard. “Magnetic Monopoles in Unified Gauge Theories.” Nuclear Physics B 79, no. 2 (1974): 276-284. doi:10.1016/0550-3213(74)90486-6.
  ‘t Hooft, Gerard. The Cellular Automaton Interpretation of Quantum Mechanics. New York: Springer, 2016. doi:10.1007/978-3-319-41285-6.
  The Axis of Awesome. 4 Chords. Performed by The Axis of Awesome, 2011. Accessed October 29, 2019, https://www.youtube.com/watch?v=oOlDewpCfZQ.
  Weinert-Kendt, Rob. “This Year’s Gender & Period Count: The Best Numbers Yet.” American Theatre. Theatre Communications Group (September 25, 2081). Accessed October 29, 2019, https://www.americantheatre.org/2018/09/25/this-years-gender-period-count-the-best-numbers-yet/.